A Chronological Retrospective Of His Film Scores

The Musical Legacy of Serge Gainsbourg

A Chronological Retrospective of His Film Scores

Across a remarkable career spanning three decades, Serge Gainsbourg established himself as an iconic figure in French music and cinema. As a composer, he left an enduring mark on the soundtrack of his era through his evocative film scores.

Early Beginnings (1959-1969)

Gainsbourg's foray into film music began in 1959 with his haunting score for "Les Yeux de l'Amour." Throughout the '60s, he composed atmospheric and jazz-infused scores for films including "La Vie à l'Envers" (1964) and "Anna" (1967).

The Revolution of the New Wave (1970-1979)

During the New Wave era, Gainsbourg's music became synonymous with the rebellious spirit of the time. His eclectic and experimental scores for films like "Le Pacha" (1968) and "Je t'Aime... Moi Non Plus" (1976) pushed the boundaries of cinematic sound.

Later Masterpieces (1980-1990)

In his later years, Gainsbourg continued to create memorable film scores. His haunting melody for "Sous le Soleil de Satan" (1987) garnered critical acclaim, while his iconic song "Comme un Boomerang" became the centerpiece of the film "So Long, Farewell" (1993).

Serge Gainsbourg's musical legacy extends far beyond the realm of film. His scores have become an integral part of the cinematic landscape, capturing the essence of the times and leaving an unforgettable mark on generations of viewers.